tag:blogger.com,1999:blog-47626509155562470852024-03-13T03:41:34.298-07:004Cats Art CafeArt Conversation, Community, and CakeJulia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.comBlogger66125tag:blogger.com,1999:blog-4762650915556247085.post-13212770855226816942010-01-31T00:25:00.000-08:002010-01-31T23:13:50.272-08:00Wayne ThiebaudI went to hear Wayne Thiebaud speak in San Francisco a couple of years ago. At the time, I was showing my work at Paul Thiebaud - his son's - gallery. The talk was at the Herbst Auditorium, one in a series of talks organized by Wendy Lesser, editor of the Threepenny Review, who also interviewed Mr. Thiebaud.<div><br /></div><div>The stage was arranged in a cozy living room setting, and Mr. Thiebaud was at ease in the wing-backed chair. With his lean frame you could imagine him popping onto the courts the next day for a game of tennis.</div><div><br /></div><div>One of the best things he said that night was about the physicality of art. "The art department should be next to the gym!"</div><div><br /></div><div><div>He was gracious with questions. Someone asked him if he had any favorite colors of paint. After a small pause he answered, "You can make any color with a warm and a cool version of each of the primaries." It was the most succinct, direct, complete explanation I've heard of the color wheel, and I've based my own teaching of color on it ever since.</div><div><br /></div><div>He was sharp, generous, illuminating, droll, and humble about his own success. You get the feeling he's far more at home as a teacher than as an art star.</div><div><br /></div><div>In my opinion, he's one of the greatest living teachers of art, in addition to being a deeply inventive, expressive and in my mind consummate artist - one who is both playful and serious. He has always done what he wants to do. </div><div><br /></div><div>Here he is interviewed for a television channel. If you watch it all the way through, you'll find some quotable moments yourself.</div><div><br /></div><div><span class="Apple-style-span" style="font-family:Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style=" white-space: pre;font-size:-webkit-xxx-large;"><span class="Apple-style-span" style="font-family:Georgia, serif;font-size:130%;"><span class="Apple-style-span" style=" white-space: normal;font-size:16px;"><span class="Apple-style-span" style=" white-space: pre; font-family:Arial, Helvetica, sans-serif;font-size:10px;"><object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/LTZJfenUpsA&hl=en_US&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/LTZJfenUpsA&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"></embed></object></span></span></span></span></span></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com2tag:blogger.com,1999:blog-4762650915556247085.post-50154540109573928722010-01-23T18:40:00.000-08:002010-01-23T21:06:11.057-08:00Hypocrite and Slanderer<div><br /></div><div><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 334px; height: 400px;" src="http://1.bp.blogspot.com/_cP3bz2ALCcU/S1vEdO9_WhI/AAAAAAAABOY/xu2XNsrr9fw/s400/Messerschmidt+-Met.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5430149782238616082" /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>No wonder the Met wanted a Messerschmidt.</div><div><br /></div><div>When I saw this picture of Austrian artist, Franz Xaver Messerschmidt's sculpture, Hypocrite and Slanderer, in the New York Times this morning, I was sure I was seeing the work of a brilliant contemporary artist. It's frank, raw expression conceived in a sleek, pared down way struck me as modern - like a three dimensional Odd Nerdrum - and made me want to know more. </div><div><br /></div><div>The piece dates, it turns out, to the 1760's and is one of a series of similar works by Messerschmidt.</div><div><br /></div><div>One of the things that strikes me in the New York Times's story is the artist's unwillingness to sell the series of sculptures - a clear indication that he made them for his own reasons, with no compromise or commission, and didn't care if anyone got them or liked them or not. Which is of course what made the work so deeply affecting and sought after ever since.</div><div><br /></div><div>The picture shows a bronze of a powerful, bald man with chin on chest and furrowed brow, seen in profile. The man is seemingly observed in a private moment of deep self-reflection. </div><div><br /></div><div>In the pose and the cool yet sensitive rendering, the sculpture speaks of simultaneous contempt and compassion for the subject on the part of its maker. He holds up the man's failings, yet he does not judge or condemn. It's a quality common to greatly drawn characters throughout the history of art - Raskolnikov in Dostoevsky's Crime & Punishment, Shakespeare's King Lear, Nabokov's Quilty in Lolita come to mind. In choosing the hypocrite and slanderer as a subject, Messerschmidt acknowledges something dark in himself, and dares the viewer to judge - or do the same.</div><div>------</div><div><b><span class="Apple-style-span" style="font-size:x-small;">Image:</span></b></div><div><span class="Apple-style-span" style="font-size:x-small;">Franz Xaver Messerschmidt</span></div><div><span class="Apple-style-span" style="font-size:x-small;">Hypocrite and Slanderer</span></div><div><span class="Apple-style-span" style="font-size:x-small;">Bronze</span></div><div><span class="Apple-style-span" style="font-size:x-small;">1760's</span></div><div><br /></div><a href="http://www.nytimes.com/2010/01/22/arts/design/22vogel.html?sudsredirect=true">Read the New York Times article on the Met's new Messerschmidt sculpture</a>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-89189146027710105102009-10-31T19:43:00.000-07:002009-10-31T21:33:28.940-07:00Mary Heilmann: Tell, don't AskThis week the Guggenheim held its Art Awards ceremony, and the Artist of the Year was Mary Heilmann. <div><br /></div><div>I'm enjoying exploring her work. It ranges in approach and concept, but even her most hard-edged, geometric paintings are executed with a painterly vigor.</div><div><br /></div><div>Instead of asking "Is this okay? Did I do it right?" Heilmann tells us "This is how it is."</div><div><br /></div><div>She also obviously knows that for a lively, spontaneous-seeming painting to work, it must be rigorously planned.<br /><div><br /></div><div>Here is Mary Heilmann with "Two-Lane Blacktop".</div><div><br /><object width="500" height="315"><param name="movie" value="http://www.youtube.com/v/9GCTGGRZTVM&hl=en&fs=1&rel=0&border=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/9GCTGGRZTVM&hl=en&fs=1&rel=0&border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="400" height="300"></embed></object></div><div>----------<br />More links:</div><div><br /></div><div><a href="http://blog.art21.org/2009/07/23/meet-the-season-5-artist-mary-heilmann/">Mary Heilmann on Art: 21 blog</a></div><div><br /></div><div><a href="http://www.nytimes.com/2008/10/24/arts/design/24heil.html">Mary Heilmann NYT review</a></div><div><br /></div><div><a href="http://www.secession.at/art/2003_heilmann_e.html">Mary Heilmann at the Secession in Vienna, installation shots</a></div><div><br /></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-85935543066417079762009-10-26T20:32:00.000-07:002009-10-26T22:25:28.071-07:00Helen Frankenthaler's woodcutsToday while sitting in the reading room of the print studio at Pratt after a long day of teaching, I came across a book of Helen Frankenthaler's woodcuts. <div><br /></div><div>Frankenthaler's paintings, famous for their poured oil washes and idiosyncratic marks and layers, seem like unlikely candidates to be turned into woodblock prints. </div><div><br /></div><div>Yet with the spirit of innovation that can only come from an artist driven by her own vision, Frankenthaler sanded, scrubbed, beat and generally dinged up her woodblocks in a process she dubbed "guzzying" till they rendered the soft washy effects and surprising surfaces she desired.</div><div><br /></div><div>The image below is just one of many ideas that range in crispness, hard vs. soft edges, washiness and density of marks - and is one in a series of prints that morph as Frankenthaler explores.</div><div><br /></div><div><a href="http://juliahensleyartist.squarespace.com/library/#frankenthaler">You can read about the book I discovered on the Library page of my website.</a></div><div><br /></div><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 397px; height: 400px;" src="http://3.bp.blogspot.com/_cP3bz2ALCcU/SuZ3FQH9U9I/AAAAAAAABMo/Qp60VwefUqs/s400/120345.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5397132135561515986" /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>Helen Frankenthaler</div><div><span class="Apple-style-span" style=" line-height: 17px; font-family:Arial;"><table cellpadding="0" cellspacing="0" border="0" width="100%" align="left" style=" line-height: 17px; font-family:Arial, Helvetica, sans-serif;"><tbody><tr valign="top" style="padding-bottom: 10px; "><td style="line-height: 17px; "><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:small;">Radius </span></span><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:small;"><span style=""></span>1993</span></span></td></tr><tr valign="top"><td style="line-height: 17px; "><span class="Apple-style-span" style="font-family:georgia;"><span class="Apple-style-span" style="font-size:small;">colour woodcut printed from six woodblocks on hand-coloured paper</span></span></td></tr><tr valign="top"><td style="line-height: 17px; "></td></tr></tbody></table></span></div><div><span class="Apple-style-span" style="line-height: 17px; "><span class="Apple-style-span" style="font-size:small;"> 71.2 (h) x 71.4 (w) cm</span></span><br /></div><div><a href="http://nga.gov.au/Exhibition/Frankenthaler/Detail.cfm?IRN=120345&BioArtistIRN=8714&mystartrow=13&realstartrow=13">National Gallery of Australia</a></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com1tag:blogger.com,1999:blog-4762650915556247085.post-82194523770846915342009-09-04T23:46:00.000-07:002009-09-05T00:05:13.711-07:00And now, back to meDid I mention I have a <a href="http://www.juliahensley.com/">BRAND NEW WEBSITE</a>?<br /><br />Do visit.Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-77561479495562505572009-08-20T06:52:00.000-07:002009-08-20T11:54:02.967-07:00Vermeer in Vancouver, but not for long!There's still time to catch the show of Dutch paintings featuring Vermeer at the Vancouver Art Gallery. Well worth a road trip, ferry ride, or train trek.<div><br /></div><div><span class="Apple-style-span" style="font-weight: bold;"><a href="http://www.vanartgallery.bc.ca/the_exhibitions/exhibit_vermeer_rembrandt_and_the_golden_age_of_dutch_art.html">Vermeer, Rembrandt, and the Golden Age of Dutch Art</a></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><a href="http://www.vanartgallery.bc.ca/the_exhibitions/exhibit_vermeer_rembrandt_and_the_golden_age_of_dutch_art.html">Masterpieces from the Rijksmuseum</a></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size:small;">May 10 - September 13</span></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;">The <a href="http://www.essentialvermeer.com/catalogue/love_letter.html">Essential Vermeer</a> is an excellent, comprehensive guide to the everything about the painter, with a complete catalog of his work you can browse through and read about. This painting, called The Love Letter, is featured in the Vancouver show.<br /></span></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><br /></span></div><div><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 347px; height: 400px;" src="http://3.bp.blogspot.com/_cP3bz2ALCcU/So1Xoc9yieI/AAAAAAAABMg/UdzIi9ujcDU/s400/love_letter.jpg" alt="" id="BLOGGER_PHOTO_ID_5372046283004611042" border="0" /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><span class="Apple-style-span" style="font-style: italic;font-size:10px;" ><br /></span></div><div><br /></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /><br /><br /><br /><br /></span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;">Here's a coincidence: just this morning I posted about my own painting called Love Letter (To Mondrian) on my <a href="http://www.juliahensley.com/journal/">website journal</a>. I had no idea Vermeer's image would pop up when I googled the show in British Columbia...<br /><br />Perhaps love is in the air? </span></span><br /></div><div><span class="Apple-style-span" style="font-style: italic;"><br />--------</span></div><div><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-size:x-small;">Image:</span></span></div><div><span class="Apple-style-span" style="font-size:x-small;">Johannes Vermeer</span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size:x-small;">The Love Letter</span></span></div><div><span class="Apple-style-span" style="font-size:x-small;">(</span><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-size:x-small;">De liefdesbrief</span></span><span class="Apple-style-span" style="font-size:x-small;">)</span></div><div><span class="Apple-style-span" style="font-size:x-small;">c. 1667-1670</span></div><div><span class="Apple-style-span" style="font-size:x-small;">Oil on Canvas</span></div><div><span class="Apple-style-span" style="font-size:x-small;">17 3/8 x 15 1/8" (44 x 38.5 cm)</span></div><div><span class="Apple-style-span" style="font-size:x-small;">Rijksmuseum, Amsterdam</span></div><div><br /></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-88809670044207566372009-08-03T11:01:00.000-07:002009-08-03T22:34:05.022-07:00Ignore EverybodyHugh McLeod is a nut. That's what makes him sane. <a href="http://search.barnesandnoble.com/Ignore-Everybody/Hugh-MacLeod/e/9781591842590">Buy his book.</a><div><div>It's a smart, sharp kick in the pants for all our best starved, stalled, or stifled ideas.</div><div><br /></div><div>Check in to<a href="http://www.gapingvoid.com/"> Hugh's blog</a> for the cartoon of the day.<br /><div><div><br /></div><div><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://2.bp.blogspot.com/_cP3bz2ALCcU/SnfINPhoweI/AAAAAAAABLA/d1XuuWO_Cc8/s400/400000000000000157472_s4.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5365977610866704866" /></div></div></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-68652302903570344842009-08-03T10:09:00.000-07:002009-08-03T11:01:34.404-07:00Ice drawings and hamburgers<div><br /><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_cP3bz2ALCcU/SnciVFDNaXI/AAAAAAAABK4/hHddDEa9nug/s400/photo-1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5365795226563471730" /><div>It was a beautiful day, not windy, not too hot, perfect for Mike and Cathy Casteel's summer art party at their gorgeous home on Vashon Island. The ferry ride brought that sea air smell, and the drive through the winding, hilly roads made me want to ride my bike.<br /></div><div><br /></div><div>At the party, I met a number of local artists whose names I've heard - <a href="http://www.jamesharrisgallery.com/Previous%20Exhibitions/clairecowie32004.htm">Claire Cowie</a>, <a href="http://www.davidsongalleries.com/artists/buchanan/buchanan.php">Lisa Buchanan</a>, <a href="http://www.tomdegroot.com/">Tom deGroot,</a> <a href="http://www.markbennion.com/interactive/content.html">Mark Bennion</a>, and Hans Nelsen among them. It was a treat to not only have a conversation with an artist about their work, but then get to visit pieces of their work hanging in the house. Cathy and Mike have built a substantial collection. What I love is that their personalities and genuine excitement about collecting art for the pleasure of it come through in every selection they have made. </div><div><br /><div>Actual art-making occurred when someone handed Claire and Leo's two year old daughter, Tabitha, an ice cube to cool off her hot feet on the patio and she immediately started drawing with it. I joined in. If you want one of our creations, you'll have to hire us for a performance. Or make your own...</div><div><br /></div><div>The hamburger was another highlight, I've been craving one all week. Followed by fresh berry compote on a biscuit, with a brownie on the side. Yum.</div><div><br /></div><div>Thanks to Cathy and Mike for their generous hosting and for sharing the sublime view and day with all of us. Happy summer.</div></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-85427706512117127642009-07-29T00:12:00.000-07:002009-07-29T00:51:50.811-07:00Rembrandt's Nose<span class="Apple-style-span" style="border-collapse: collapse; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;font-family:arial;font-size:13px;"><div><span class="Apple-style-span" style="font-family:verdana;">The 20th-century painter Philip Guston said that "In the end, there is only Rembrandt". In his book, </span><a href="http://www.artbook.com/1933045442.html"><span class="Apple-style-span" style="font-family:verdana;">Rembrandt's Nose</span></a><span class="Apple-style-span" style="font-family:verdana;">, Michael Taylor attempts to get at what makes Rembrandt's portraits so vividly, palpably human. He pins his theory on the nose.</span></div><div> </div><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 313px;" src="http://2.bp.blogspot.com/_cP3bz2ALCcU/Sm_9Rkc-NVI/AAAAAAAABKo/kO_pAYSspy8/s320/rmbrndt.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5363784159506347346" /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>My portrait students in particular will appreciate the subject as we prepare to study what makes a nose a nose. I'll have to read the book to find out how Taylor thinks the nose makes the portrait. And since one of the book's admirers is the poet <a href="http://www.poetryfoundation.org/archive/poet.html?id=4676">W.S. Merwin</a>, I am that much more interested to find out.</div><div>----------</div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-family:verdana;">Image:</span></span></div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-family:verdana;">Rembrandt</span></span></div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-family:verdana;">Detail, </span></span></div><div><span class="Apple-style-span" style="color: rgb(102, 102, 102);"><span class="Apple-style-span" style="font-family:verdana;">Self Portrait With Beret And </span><span class="Apple-style-span" style="font-family: verdana;">Turned-Up Collar</span></span></div><div><span class="Apple-style-span" style="border-collapse: separate; color: rgb(102, 102, 102); -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family:Verdana;font-size:11px;"><p style="padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">1659<br />84.4 x 66 cm.<br />National Gallery of Art, Washington</p></span></div></span>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com1tag:blogger.com,1999:blog-4762650915556247085.post-77908046566346380882009-07-27T23:22:00.000-07:002009-07-29T00:12:20.871-07:00Bauhaus in Berlin: Coming to NY<span class="Apple-style-span" style=";font-size:small;"><span class="Apple-style-span" style=""><span class="Apple-style-span" style="color: rgb(0, 0, 0);"><a href="http://www.nytimes.com/2009/07/27/fashion/27iht-design27.html?scp=1&sq=slideshow%20Bauhaus&st=cse" style="text-decoration: none;">A </a><a href="http://www.nytimes.com/2009/07/27/fashion/27iht-design27.html?scp=1&sq=slideshow%20Bauhaus&st=cse" style="text-decoration: none;"><span class="Apple-style-span" style=";font-size:small;"><span class="Apple-style-span" style="text-decoration: underline;font-weight: bold; ">Bauhaus retrospective </span></span></a><span class="Apple-style-span" style="font-size:small;"> <span class="Apple-style-span" style="line-height: 22px; ">just opened </span>at the </span><span class="Apple-style-span" style=" line-height: 22px; "><span class="Apple-style-span" style="font-size:small;">Martin-Gropius-Bau exhibition hall in Berlin. The show marks the 90th anniversary of the Bauhaus and the 20th anniversary of the fall of the Berlin wall. <span class="Apple-style-span" style="font-size:small;">See a slideshow of some of the work in the exhibit<span class="Apple-style-span" style="font-weight: bold; "> </span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold; "><a href="http://www.nytimes.com/slideshow/2009/07/27/arts/0727-raw_index.html?scp=1&sq=slideshow%20Bauhaus&st=cse">here. </a><span class="Apple-style-span" style="font-weight: normal; ">The show travels to the Museum of Modern Art in New York in November. How exciting is that?</span></span></span></span></span></span></span></span><div><div><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 319px;" src="http://2.bp.blogspot.com/_cP3bz2ALCcU/Sm6eyozTQGI/AAAAAAAABKg/WOYz-S-ZHAo/s320/h2_1972.40.7.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5363398799028076642" /><div><div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold; line-height: 22px; "><span class="Apple-style-span" style="font-size:small;">------</span></span></div><div><span class="Apple-style-span" style="line-height: 22px; "><span class="Apple-style-span" style="font-size:small;">Image:</span></span></div><div><span class="Apple-style-span" style="line-height: 22px; "><span class="Apple-style-span" style="font-size:small;">Josef Albers</span></span></div><div><span class="Apple-style-span" style=" font-weight: bold; line-height: 22px;"><span class="Apple-style-span" style=" font-style: italic; line-height: 18px; font-family:Arial;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size:small;">Homage to the Square: Soft Spoken</span></span></span><span class="Apple-style-span" style="font-size:small;"><br /></span></span></div><div><span class="Apple-style-span" style=" line-height: 18px; font-family:Arial;"><span class="Apple-style-span" style="font-size:small;">Metropolitan Museum</span></span></div><div><span class="Apple-style-span" style=" font-style: italic; line-height: 18px;font-family:Arial;font-size:13px;"><span class="Apple-style-span" style="color: rgb(41, 41, 41); font-style: normal; line-height: 14px; "><span class="Apple-style-span" style="font-size:small;">48 x 48 in. (121.9 x 121.9 cm) Gift of the artist, 1972 (1972.40.7)</span></span><br /></span></div></div></div></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-20312742512126967182009-07-25T23:12:00.000-07:002009-07-28T00:07:59.153-07:00"Re-": Cardboard sculpture<span class="Apple-style-span" style="font-size:small;">I went to pick up my work from Sightline Institute recently where it had hung during June as the inaugural show in Becky Brooks's series of curated exhibits, and from down the hall, before I even entered the glass doors, a blaze of red caught my eye and wouldn't let go. </span><div><span class="Apple-style-span" style="font-size:small;"></span><br /><div><span class="Apple-style-span" style="font-size:small;"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 240px; height: 320px;" src="http://2.bp.blogspot.com/_cP3bz2ALCcU/Sm6Xh00iiPI/AAAAAAAABKY/jrw4zzvFsVE/s320/BryanSmith.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5363390813615327474" /></span><div><div><div>Up close, <span class="Apple-style-span" style="font-weight: bold;">Bryan Smith's</span> cardboard constructions are meticulously crafted, bold and intricate at the same time. Abstract compositions reward closer viewing with the complex details of cut shapes, interrupted text, and images printed on what were once ordinary boxes.<br /></div><div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;">On my way out the door I glanced up. Several large, bulbous sculptures of sewn cardboard perching on a dividing shelf almost reached over and tapped me on the head. A simple blanket stitch connects petals of packaging into bulging, organic forms that look as if they are not done morphing yet. As if one might come in one morning to find the room filled with pink, white and green cardboard organisms, still growing...</span></div><div><br /></div><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 240px; height: 240px;" src="http://3.bp.blogspot.com/_cP3bz2ALCcU/Sm6WsaoFlTI/AAAAAAAABKI/fcOEfpaFZX4/s400/BryanSmithSculptureSmall.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5363389896050709810" /><div><br /></div><div>The show's up through August 27. If you're downtown, stop by the Vance building, take a ride up to the 5th floor, and see what happened to these boxes before they could reach the recycling bin.</div><div>---------</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="border-collapse: separate; font-family:Georgia;"><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold; ">"Re-"</span></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold; ">Work by Bryan Smith</span></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><br /></span></div></span></span></div><div><div><div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="">Weekdays between 10am and 3pm <br />Through August 27 </span></span></span></div><div><br /></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;">Sightline Institute</span><br />1402 Third Ave,<br />Fifth Floor, Suite 500<br />Seattle, WA<br />206-447-1880 ext. 100<br />-----------<br />After viewing the art, you are invited to respond to the question:<br /><br /><span class="Apple-style-span" style="font-weight: bold;">“What thoughts about sustainability are inspired by <br />Bryan's art (and by art in general)?”</span><br /><br />A notebook to share your response is available near the artwork, <br />or you can add your comment<span class="Apple-style-span" style="font-weight: bold;"> </span></span><span class="Apple-style-span" style="color: rgb(0, 0, 0);"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><a href="http://sustainart.wordpress.com/2009/07/10/bryan-smith/">here.</a></span></span></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-weight: bold;font-family:arial;"><span class="Apple-style-span" style="font-weight: normal; ">-----------</span><br /></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:x-small;">Images:</span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:x-small;">1. Bryan Smith</span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:x-small;">Cardboard Sculpture</span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:x-small;">Detail. JH iPhone shot</span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:x-small;"><br /></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:x-small;">2. Bryan Smith</span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:x-small;">Cardboard Sculpture</span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:x-small;">Courtesy Becky Brooks</span></span></div></div></div></div></div></div></div></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com1tag:blogger.com,1999:blog-4762650915556247085.post-35239061475269393772009-07-12T18:42:00.001-07:002009-07-12T19:02:33.128-07:00Sketching in Tokyo, Florence, Sao Paulo, Paris, Seattle...Need some inspiration to get out and fill some pages of your sketchbook? How about a global artist community to give you some ideas and camaraderie? <a href="http://www.urbansketchers.com/">Urbansketchers</a> invites us to "See the world one drawing at a time". Through it you can visit the sketch journals of a community of artists around the world who participate in a regular "<a href="http://www.sketchcrawl.com/forum/viewforum.php?f=46&start=0">sketchcrawl</a>" and share the results online. <div><div><br /></div><div>Inspired yet?</div><div><br /></div><div>There is a Seattle post for the most recent sketch day, just this past weekend. Looks like the participants had fun at the zoo. Keep an eye out for the next world wide sketching date on the <a href="http://www.sketchcrawl.com/forum/viewforum.php?f=46&start=0">Sketchcrawl</a> site.</div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-78736603410618846102009-07-04T11:53:00.001-07:002009-07-04T19:43:40.817-07:00A tale of independence<div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">When I think of fireworks in relation to art, there is one picture that comes to mind - Whistler's <span class="Apple-style-span" style="font-style: italic;">Nocturne in Black and Gold: The Falling Rocket,</span> with its smoky sky and cascading dots of light. </span></span></span></div><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 310px; height: 400px;" src="http://1.bp.blogspot.com/_cP3bz2ALCcU/Sk-lTA23QAI/AAAAAAAABJM/RoCe64yU1mk/s400/whistler2.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5354680228033019906" /><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="color: rgb(0, 0, 0); "><span class="Apple-style-span" style=" ;"><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">The </span></span></span><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">painting is of a fireworks display at the Cremorne Gardens in Britain, a popular fairground that offered dances, balloon rides and entertainment in the mid 1800's.</span><a href="http://images.google.com/imgres?imgurl=http://www.tate.org.uk/britain/exhibitions/turnerwhistlermonet/images/nocturnebgfallingrocket_l.jpg&imgrefurl=http://www.tate.org.uk/britain/exhibitions/turnerwhistlermonet/thamesviews/cremornegardens.htm&usg=__IKWa5grasYH7hffZA2pQsJ4tAXA=&h=512&w=386&sz=54&hl=en&start=7&sig2=LRQmuyN7JRfvOtQ3FPaJ6w&um=1&tbnid=t7BdimGKLNemZM:&tbnh=131&tbnw=99&prev=/images%3Fq%3DJames%2BWhistler%2527s%2BNocturne%2BRocket%26hl%3Den%26client%3Dsafari%26rls%3Den%26sa%3DN%26um%3D1&ei=lrtPSrv2NpXSswPPsaTSDA"><span class="Apple-style-span" style="font-size:small;">* </span></a></span></span></span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Like Sargent's <span class="Apple-style-span" style="font-style: italic;"><a href="http://4catsartcafe.blogspot.com/search?q=sargent"><span class="Apple-style-span" style="font-weight: bold;">Madame X,</span></a></span> Whistler's painting caused an uproar, though for very different reasons.</span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">John Ruskin, the renowned art critic, was apparently affronted by the immediacy of the paint application in Whistler's painting. In a series of pamphlets he derided what he perceived as an unfinished work, calling Whistler a "<span class="Apple-style-span" style="font-weight: bold;">coxcomb</span>" for "</span></span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">flinging a pot of paint in the face of the public"</span></span></span><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">. Whistler, fiesty, witty and famously arrogant, took offense and a stand against what he saw as a dangerous imbalance between the power of the art critic's word and the painter's vision.</span><a href="http://19th-century-art.suite101.com/article.cfm/whistlers_nocturne_falling_rocket"><span class="Apple-style-span" style="font-size:small;">*</span></a></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">'At the trial, Ruskin's lawyer asked Whistler, "Mr. Whistler, tell me, how long did it take you to paint ‘Nocturne in Black and Gold: The Falling Rocket’?” "Half a day," replied Whistler. "So," queried the lawyer, "you are charging two hundred guineas for half a day's work?" "No," wittily replied Whistler, "</span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size:small;">For the experience of a lifetime</span></span><span class="Apple-style-span" style="font-size:small;">."' **</span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">He was awarded a farthing and ordered to pay court costs, which along with other personal debts bankrupted him, but more importantly, he made his point. In doing so he made a bold stand for the freedom of art from art criticism, and by extension, for the freedom of artists as well as the art-viewing public from ill-considered but publicly expressed opinions of art critics. </span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Whistler dissociated himself from the English academic establishment and asserted his autonomy as a painter, a position he maintained successfully for the rest of his career. To this day, by stipulation in his will, Whistler's paintings are prohibited from permanent display in Britain. The </span></span><span class="Apple-style-span" style="font-style: italic; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Nocturne</span></span></span><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"> is currently on loan to the </span></span><a href="http://images.google.com/imgres?imgurl=http://www.tate.org.uk/britain/exhibitions/turnerwhistlermonet/images/nocturnebgfallingrocket_l.jpg&imgrefurl=http://www.tate.org.uk/britain/exhibitions/turnerwhistlermonet/thamesviews/cremornegardens.htm&usg=__IKWa5grasYH7hffZA2pQsJ4tAXA=&h=512&w=386&sz=54&hl=en&start=1&um=1&tbnid=t7BdimGKLNemZM:&tbnh=131&tbnw=99&prev=/images%3Fq%3DJames%2BWhistler%2527s%2BNocturne%2BRocket%2BTate%26hl%3Den%26client%3Dsafari%26rls%3Den%26sa%3DN%26um%3D1"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size:small;">Tate Museum Britain</span></span></span></a><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size:small;"> </span></span><span class="Apple-style-span" style="font-size:small;">from Detroit.</span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Happy independence from Britain, America. And happy independence from the art establishment, Whistler. </span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-style: italic; font-weight: bold; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Image:</span></span></span><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;font-size:13px;"><div><span style=" ;"><span style=" "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">James Abbott McNeil Whistler</span></span></span></span></div><div><span style="color: rgb(51, 51, 255); "><span style="color: rgb(39, 46, 63); font-style: italic; "><span style=" ;"><span style=" "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Nocturne in Black and Gold: the Falling Rocket</span></span></span></span></span></span></div><div><span><span style=" ;"><span style=" "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">1875<br />Oil on wood<br />60.3 x 46.6 cm (23 3/4 x 18 3/8 in.)<br />Detroit Institute of Arts</span></span></span></span></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="border-collapse: separate; font-family:Georgia;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">** (As quoted by Suzanne Hill in her </span></span><span class="Apple-style-span" style="font-weight: bold; "><a href="http://19th-century-art.suite101.com/article.cfm/whistlers_nocturne_falling_rocket"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">article</span></span></a></span><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">, </span></span><span class="Apple-style-span" style="color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-size:small;">Whistler's </span></span><span class="Apple-style-span" style="font-style: italic; "><span class="Apple-style-span" style="font-size:small;">Nocturne: Falling Rocket</span></span></span><span class="Apple-style-span" style="color: rgb(0, 0, 0); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-style: italic; "><span class="Apple-style-span" style="font-size:small;"> </span></span></span></span><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-style: italic; "><span class="Apple-style-span" style="font-size:small;">Subject of Libel Suit Against Critic John Ruskin in 1878,</span></span><span class="Apple-style-span" style="font-size:small;"> to which I am indebted for this post).</span></span></span></span><br /></div></span></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com2tag:blogger.com,1999:blog-4762650915556247085.post-12760223097641595372009-06-25T13:12:00.000-07:002009-06-26T09:05:26.616-07:00Up close - really close - at the PradoIn January, the Prado Museum in Milan introduced a feature on Google Earth that allows you to click on one of a selection of paintings that have been photographed in super high resolution ("14,000 million pixels, 1,400 times more detailed than the image a 10 megapixel digital camera would take") and view them close up. Not that anything is a substitute for standing in front of the actual painting, but oh my! Seeing the details of Durer's self portrait down to the individual hairs that make up each curl is thrilling. And it is quite fun to get a virtual sense of the museum itself. Gets that travel bug itching.<br /><br />Below is a short video of the making of the images and how the feature looks in Google Earth (for a larger image, watch it <span class="Apple-style-span" style="font-weight: bold;"><a href="http://www.youtube.com/watch?v=D1EOJr11bvo">here</a><span class="Apple-style-span" style="font-weight: normal; ">). </span></span><div><br /></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal; ">To find out how to visit the Prado in Google Earth click <a href="http://www.google.com/intl/en/landing/prado/"><span class="Apple-style-span" style="font-weight: bold;">here</span></a>. </span></span><div><br /><object width="400" height="300"><param name="movie" value="http://www.youtube.com/v/D1EOJr11bvo&hl=en&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/D1EOJr11bvo&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="400" height="300"></embed></object><br /></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-41517492178281747972009-06-16T17:14:00.000-07:002009-06-17T22:51:52.931-07:00Sunday studio<div>This Sunday, four painters arrived at my studio to paint what I am dubbing 'the Eastlake Riviera' (float planes and all) from my windows. <br /></div><div><br /></div><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://3.bp.blogspot.com/_cP3bz2ALCcU/Sjm1lSPyqPI/AAAAAAAABI0/SKRcvQr6994/s400/DJS+June+14.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5348505684637034738" /><div><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>Our subject: <span class="Apple-style-span" style="font-style: italic;">Interior with Landscape View</span>. As we discovered, that simple and common human experience of looking outside from inside presents challenges and endlessly surprising compositional possibilities - which is probably why it has drawn the attention of artists from Vermeer to Bonnard, Matisse to Diebenkorn.<div><div><br /></div><div>And now, us.<br /></div><div><div><br /></div><div>Our time-frame: five hours, with one of those, importantly, devoted to lunch. This was a deliciously successful potluck involving fresh greens and vegetable stew, corn chips with guacamole (which I made from five avocados hand-smuggled by my parents last weekend from the garden of friends in Carpenteria, California), goat cheeses and bread, and last but not least, chocolate-dipped strawberries and fresh cream sauce. </div><div><div><br /></div><div><div>Post-lunch, a room full of strong drawings developed into painterly paintings that impressively incorporated lessons from some of the artists I mentioned, whose paintings we had looked at earlier. The resulting work was quite beautiful.</div><div><br /></div><div>Thanks to all who came and especially to Diane for her impromptu suggestion to get together that started it all. <br /></div><div><br /></div><div>I think we have a new tradition. Look for upcoming sessions with a bit more lead time, open to anyone wishing to draw or paint, on my <a href="http://julias-studio.blogspot.com/2009/06/new-workshop-days-in-june_17.html"><span class="Apple-style-span" style="font-weight: bold;">Julia's Studio</span></a> blog. There is room for five people per session. Bring your painting bikini.</div><div>---------</div><div><div><span class="Apple-style-span" style="font-style: italic;">Image:</span></div><div>Diane Schebel at work on her painting</div><div><span class="Apple-style-span" style=" ;"><span class="Apple-style-span" style="font-size:x-small;">Julia iPhone photo</span></span></div></div></div></div></div></div></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-91705598711026202222009-06-16T08:02:00.000-07:002009-06-17T20:40:04.697-07:00Public art<div><span class="Apple-style-span" style=" ;font-family:arial;font-size:13px;"><div><div><div><div><div><div><div><div><div><div><div><div><div><div><table cellspacing="0" cellpadding="0" width="100%" border="0" style="width: 100%; "><tbody><tr><td width="100%" face="arial, sans-serif" style="padding-right: 1.5pt; padding-left: 1.5pt; padding-bottom: 1.5pt; width: 100%; padding-top: 1.5pt; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><div><div><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; ">Sometimes a joyful antic is in order.<a href="http://www.youtube.com/watch?v=7EYAUazLI9k&annotation_id=annotation_72265&feature=iv"> </a><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><a href="http://www.youtube.com/watch?v=7EYAUazLI9k&annotation_id=annotation_72265&feature=iv">This video</a></span><span class="Apple-style-span" style="font-size:small;"> was made in Antwerp, Belgium's Central Station on March 23, 2009.</span></span></p></div></div></td></tr></tbody></table></div></div></div></div></div></div></div></div></div></div></div></div></div></div></span></div><br /><object width="400" height="360"><param name="movie" value="http://www.youtube.com/v/7EYAUazLI9k&hl=en&fs=1&"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/7EYAUazLI9k&hl=en&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="400" height="360"></embed></object><br />At 8:00am, with no warning to the passengers passing through the station, a recording of Julie Andrews singing 'Do, Re, Mi' begins to play on the public address system. As the surprised travelers look on, some 200 dancers begin to appear from the crowd and station entrances. They created the performance with just two rehearsals.Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-30255189814919084202009-06-13T13:28:00.000-07:002009-06-13T15:27:15.813-07:00Michael Matisse for Team Seattle<a href="http://michaelmatisse.blogspot.com/">Michael Matisse</a> is a superb photographer. Currently he is in France supporting Don Kitch's <a href="http://www.teamseattle.com/">Team Seattle </a>as they venture to Le Mans. Team Seattle's goal is not just to race Ferraris in the most famous car race in Europe, but to raise money for Seattle Children's Hospital. <div><br /></div><div>From their site: "Thanks to corporate sponsors, including Global Diving, Guggenheim Partners, and Microsoft, among others, the team is moving closer to raising $1,000,000 for infant cardiac care at Children's Hospital". </div><div><br /><div><span class="Apple-style-span" style=" ;font-family:Verdana;font-size:13px;"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 267px;" src="http://1.bp.blogspot.com/_cP3bz2ALCcU/SjQYf6j30-I/AAAAAAAABHc/axqXVbzsS-4/s400/SAAL56.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5346925594170348514" /></span><div><div>Good people racing beautifully designed cars for an excellent cause, documented by <a href="http://gallery.me.com/nootka13#100455&view=grid&bgcolor=black&sel=52">beautiful photography</a>. The excitement that comes through in the posts is infectious. News flash: the team just qualified! Go, Team Seattle! <br /></div><div><br /></div><div><div><span class="Apple-style-span" style="font-weight: bold;">Image:</span></div><div>Michael Matisse </div><div>Don Kitch/Le Mans Day 2*</div><div>2009 </div><div>All rights reserved</div><div><br /></div><div><span class="Apple-style-span" style="font-size:x-small;">* I just emailed MM to ask permission to use this shot, and to ask what I should title it. I will honor his response here, somewhat truncated : </span><span class="Apple-style-span" style="border-collapse: collapse; font-family:arial;"><span class="Apple-style-span" style="font-size:x-small;">TEAM SEATTLE IN LE MANS WAITING PEACEFULLY IN THE CHURCH CARETAKER'S BACK YARD BEFORE FOR THE PRE-RACE PARADE THAT WILL BE A [MEDIA STORM] LIKE NOTHING ANYONE IN LE MANS HAS EVEER SEEN BEFORE.</span></span></div></div></div></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-62255665052511380382009-06-13T12:42:00.000-07:002009-06-13T13:08:40.361-07:00Solo show downtown through June<div><span class="Apple-style-span" style="font-weight: bold; "><span class="Apple-style-span" style="color: rgb(51, 153, 153); "><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Urban </span></span></span><span class="Apple-style-span" style="color: rgb(51, 153, 153); "><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Perspective: City </span></span></span></span><span class="Apple-style-span" style="font-weight: bold; "><span class="Apple-style-span" style="color: rgb(51, 153, 153); "><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Views</span></span></span></span><span class="Apple-style-span" style="font-family:'trebuchet ms';"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">13 pieces by artist Julia Hensley</span></span></span></div><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Curated by Becky Brooks</span></span></span></div><div><span class="Apple-style-span" style=" font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><br /></span></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><img src="http://3.bp.blogspot.com/_cP3bz2ALCcU/SjBKIiSa59I/AAAAAAAABGs/61mVGpZrvw4/s400/Miller+Paint" border="0" alt="" id="BLOGGER_PHOTO_ID_5345854268192253906" style="float: left; margin-top: 0px; margin-right: 10px; margin-bottom: 10px; margin-left: 0px; cursor: pointer; width: 400px; height: 317px; " /></span></div><div><span class="Apple-style-span" style=" font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><br /></span></span></div><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Presented by</span></span></span></div><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><br /></span><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Sightline Institute</span></span></span></span></div><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">1402 Third Ave </span></span></span></div><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Fifth Floor, Suite 500</span></span></span></div><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Seattle</span></span></span></div><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">206-447-1880 ext. 100</span></span></span></div><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><br />Through the month of June</span></span></span></div><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><br /></span></span></span></div><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Visit on weekdays between 10am and 3pm</span></span></span></div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">---------------</span></span><span class="Apple-style-span" style="font-family:'trebuchet ms';"><span class="Apple-style-span" style="font-size:small;"></span></span><div><span class="Apple-style-span" style="font-family:'trebuchet ms';"><span class="Apple-style-span" style=" ;font-family:Georgia;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">All 13 pieces are available for purchase. You may </span></span><a href="http://www.blogger.com/post-edit.do"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><span class="Apple-style-span" style="font-weight: bold;">Contact me </span></span></span></a><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">for availability. Affordably priced.</span></span></span></span></div><div><span class="Apple-style-span" style="font-family:'trebuchet ms';">---------------<br /></span><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">The work is a collection of my abstract urban landscapes in oil, acrylics, and gouache-on-pater collage. Most of the images are Seattle-area scenes, with a few of Boston, New York, and Las Vegas. </span></span><div><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">---------------</span></span><div><span class="Apple-style-span" style="border-collapse: collapse; "><a href="http://sightline.org/"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><span class="Apple-style-span" style="font-weight: bold;">Sightline Institute</span></span></span></a><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">, Cascadia's sustainability think tank, is an important organization to the Northwest region and beyond as they research and communicate trends that are crucial to the region's future: health, economy, population, energy, sprawl, wildlife, and pollution. They provide the research and tools needed to make progress on a range of solutions to these issues. The now familiar term 'green-collar jobs' was coined at Sightline.</span></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; "><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">---------------</span></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; "><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">After viewing the art, you are invited to respond to the question, </span></span><span class="Apple-style-span" style="font-weight: bold; "><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">“What thoughts about sustainability are inspired by Julia's art - or by art in general?” </span></span></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; font-weight: bold;font-family:'trebuchet ms';"><br /></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; "><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="border-collapse: separate; "><div><span class="Apple-style-span" style="border-collapse: collapse; "><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">A notebook to share your response is available near the artwork, or you can add your comment in the specially created Wordpress blog, </span><a href="http://sustainart.wordpress.com/"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><span class="Apple-style-span" style="font-weight: bold;">Art and Sustainability</span></span></a><span class="Apple-style-span" style="font-family:'trebuchet ms';">. We </span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">invite you to stop by and just look, or write a few words. All thoughts are appreciated.</span></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; "><span class="Apple-style-span" style="font-family:'trebuchet ms';">---------------<br /></span></span></div></span></span></span><div><span class="Apple-style-span" style="border-collapse: collapse; "><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Image:<br /></span></span><span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Julia Hensley</span></span><span class="Apple-style-span" style="font-style: normal; "><span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><i></i></span></span></span></span></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; "><span><i><span class="Apple-style-span" style="font-style: normal; "><span><i><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Miller Paint</span></span></i></span><span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">; Oil on Panel; 16" x 20"; 2006</span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"> </span></span></span></i></span></span></div><div><span class="Apple-style-span" style="border-collapse: collapse; "><span class="Apple-style-span" style="font-size:x-small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Photo: Michael Matisse</span></span></span></div></div></div></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-72737382616629134372009-06-11T22:33:00.000-07:002009-07-22T15:24:45.904-07:00Book review: Art, chess and murderA 500-year old murder, that is, with a young art restorer bent on solving the mystery she uncovers while working on a 15th-century Flemish painting. Here's a <a href="http://lazyhabits.wordpress.com/2008/12/13/the-flanders-panel/">blog review</a> of <a href="http://www.amazon.com/gp/product/0156029588?ie=UTF8&tag=adlergedanke-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0156029588"><span class="Apple-style-span" style="font-weight: bold; ">The Flanders Panel </span></a>by Arturo Perez-Reverte. <div><br /></div><div>I came across the review on Wordpress - the <span class="Apple-style-span" style="font-style: italic; ">other</span> Blogger - which apparently recommended the book to me since my name is the same as the heroine's. It's a slim recommendation, I realize, but the story sounds exciting. Let me know what you think if you read it. Might be good arty summer reading.<br /></div><div><br /></div><div>Here is Van Eyck's famously symbol-laden painting of the same era:</div><div><br /></div><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 290px; height: 400px;" src="http://4.bp.blogspot.com/_cP3bz2ALCcU/SjHw6B9gBzI/AAAAAAAABHE/q8Pv1Zd4itY/s400/van_eyck_-_arnolfini.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5346319112414955314" /><div><br /></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div><span class="Apple-style-span" style="font-style: italic;">Image:</span></div><div><span class="Apple-style-span" style="font-weight: bold;">Arnolfini Portrait</span></div><div>Jan van Eyck</div><div>1434</div><div>Oil on oak panel, 3 vertical boards</div><div>32.4 x 23.6 inches</div><div>National Gallery, London</div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com2tag:blogger.com,1999:blog-4762650915556247085.post-8624881542569602532009-06-10T21:57:00.001-07:002009-06-10T22:24:42.122-07:00Surprises<p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"><span style="font-family:TrebuchetMS;color:#333333;">On Sunday, Sue Danielson, Joan Cox, Peter and Jillian Hensley and I sat around my long table spread with books and postcards that related, obviously or obliquely, to narrative in art, drinking coffee and munching carrot cake. From the get-go, the ideas just flew.</span></p><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 396px; height: 400px;" src="http://1.bp.blogspot.com/_cP3bz2ALCcU/SjCQOMeCrlI/AAAAAAAABG8/yR_3kC8ZTxM/s400/CRI_151500.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5345931331228577362" /> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"><span style="font-family:TrebuchetMS;color:#333333;">One of my favorite moments was when Jillian wondered aloud how the all-white painting she once saw in a museum many years ago could possibly contain a story. She found the piece annoying in its blankness, so carefully and evenly painted, and couldn't see how it amounted to anything. </span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"><span style="font-family:TrebuchetMS;color:#333333;">After some discussion she surprised herself by musing that for one thing, perhaps the reason she saw only white was because </span><span style="font-family:TrebuchetMS-Italic;color:#333333;"><i>she had</i></span><span style="font-family:TrebuchetMS;color:#333333;"> </span><span style="font-family:TrebuchetMS-Italic;color:#333333;"><i>zoomed in so far the subject couldn't be made out, <span class="Apple-style-span" style="font-family: TrebuchetMS; font-style: normal; ">and that if she could only draw back a bit it would begin to reappear...this imagining, she suprised herself further by realizing, created in effect a kind of content, and a story.</span></i></span></p> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"><span style="font-family:TrebuchetMS;color:#333333;">The eyes of the artists in the room glistened at the recognition of a potentially mineable idea. You could almost hear the little gray cells expanding, along with our definition of narrative. </span></p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"><span style="font-family:TrebuchetMS;color:#333333;">But before we got much further down that road, Peter began to express his experience of abstract art - a Mondrian grid painting, for example - as "arresting" his eye and further, his thoughts, because it presents no imagery that can be immediately interpreted. Thus for him, a purely abstract painting effectively interrupts the mind's search for a narrative. Aha. A view, then, in support of abstract art as non-narrative? Joni for one found this idea particularly compelling as a sort of Buddhist approach that enabled her to see the contrast between story and, at least initially, no story.</span></p> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"><span style="font-family:TrebuchetMS;color:#333333;">More expansion. More coffee.</span></p> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"><span style="font-family:TrebuchetMS;color:#333333;">We continued, engrossed, nibbling spanokopita and mushroom turnovers. I held up Mondrian and Velazquez, Asterix and Jacob Lawrence, and we followed our thoughts out loud, ultimately deciding, after three hours, that we had barely scratched the surface. A most satisfying Cafe. Thanks to all who were there.</span></p> <p class="MsoNormal"><span style="font-family:TrebuchetMS;color:#333333;">Wish you had been? Look for Part Two of this topic, I have a feeling it will be back. Comments, thoughts? Post here or <span style="text-decoration:none;text-underline:nonecolor:#E17518;"><a href="http://www.blogger.com/post-edit.do">Email me.</a></span></span></p><p class="MsoNormal"><span class="Apple-style-span" style=" ;font-family:TrebuchetMS;">-----------<span class="Apple-style-span" style="color: rgb(225, 117, 24); font-family:Arial-ItalicMT;"><a href="http://www.moma.org/collection/browse_results.php?object_id=80385"><span style="text-decoration:none;text-underline:nonecolor:#50248A;"><i></i></span></a></span></span></p><p class="MsoNormal"><!--StartFragment--> </p><p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"><span><a href="http://www.moma.org/collection/browse_results.php?object_id=80385"><span style="text-decoration:none;text-underline:nonecolor:#50248A;"><i><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Image:</span></span></i></span></a><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"><span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Suprematist Composition: White on White</span></span></span><span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><o:p></o:p></span></span></span></p> <p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"><span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">Kazimir Malevich (Russian, born Ukraine. 1878-1935)</span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"><o:p></o:p></span></span></span></p> <span style="mso-ansi-language:EN-US"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';">1918 Oil on Canvas, 31 1'4 x 31 1/4"</span></span></span><!--EndFragment--><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-family:'trebuchet ms';"> </span></span><br /><p></p><p></p><p></p> <!--EndFragment--> <p></p>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com2tag:blogger.com,1999:blog-4762650915556247085.post-26286044077063869012009-05-31T23:48:00.000-07:002009-06-02T09:54:54.188-07:00Art Cafe: This Sunday, June 7<div><span class="Apple-style-span" style=""><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size:medium;">Tell Me a Story: Narrative in Art</span></span></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size:medium;">Sunday, June 7</span></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size:medium;">11am -1pm</span></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size:medium;">$15</span></span></div><div><span class="Apple-style-span" style="font-size:small;">At my home studio in Eastlake</span></div><div><div><span class="Apple-style-span" style=" white-space: pre-wrap; font-family:'Lucida Grande';"><a href="mailto:jh.julia@gmail.com"><span class="Apple-style-span" style="font-size:small;">Email me </span></a><span class="Apple-style-span" style=" white-space: normal; font-family:Georgia;"><span class="Apple-style-span" style="font-size:small;">to reserve your spot</span></span></span></div><div><br /></div><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 391px; height: 400px;" src="http://3.bp.blogspot.com/_cP3bz2ALCcU/SiRBhQAndXI/AAAAAAAABGc/8_PicJngoFg/s400/100830944_419d067ce5_b.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5342467097457292658" /></div><div><div><span class="Apple-style-span" style=""><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size:medium;">The desire to hear and to tell stories</span></span></span><span class="Apple-style-span" style="font-size:small;"> is fundamentally human, which perhaps accounts for the persistence of narrative art despite periods when it has been unfashionable. What does 'narrative' mean in a visual context? <span class="Apple-style-span" style="font-size:small;">Are 'narrative' and 'abstract' mutually exclusive? <span class="Apple-style-span" style="font-size:small;">Let's look at</span><span class="Apple-style-span" style=" "><span class="Apple-style-span" style=" "><span class="Apple-style-span" style="font-size:small;"> a range of work from Greek sculpture to tapestries, cartoons to color field, history paintings to contemporary art - and see if we can stretch and redefine what it means to tell a story in a visual medium. I suspect surprises await us. </span></span></span></span></span></div><div>-----------------------------------<br /></div><div><span class="Apple-style-span" style=""><span class="Apple-style-span" style=""><span class="Apple-style-span" style=""><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-weight: bold;">Join me</span> </span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="">f</span>or this informal discussion in my studio with a view. Refreshments provided. You don't need to know a thing about the topic, or about art - just be interested in listening, trying ideas, and eating tasty snacks. Your friends are welcome, too.</span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style=""><span class="Apple-style-span" style=""><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="">Please bring</span></span></span></span><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-size:medium;"><span class="Apple-style-span" style="font-weight: normal;"> </span></span><span class="Apple-style-span" style="font-weight: normal;">a</span></span><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size:small;">ny books, postcards, objects that you feel might relate to our topic. All ideas and contributions are appreciated.</span></span></span></div><div>-------</div><div><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-size:small;">Image:</span></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size:small;">A Bigger Splash</span></span></div><div><span class="Apple-style-span" style="font-size:small;">David Hockney</span></div><div><div><span class="Apple-style-span" style=" ;font-family:Verdana;"><span class="Apple-style-span" style="font-size:small;">1967</span></span></div><div><span class="Apple-style-span" style=" ;font-family:Verdana;"><span class="Apple-style-span" style="font-size:small;">Acrylic on canvas</span></span></div><div><span class="Apple-style-span" style=" ;font-family:Verdana;"><span class="Apple-style-span" style="font-size:small;">242.5 x 243.9 cm (95 1/2 x 96 in)</span></span><br /></div></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-45370111463425470762009-05-13T22:56:00.000-07:002009-06-10T15:54:54.063-07:00Beckmann<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_cP3bz2ALCcU/Sguy6jwK-AI/AAAAAAAAA7Q/YWaBiDDH97k/s1600-h/JH09Beckmann.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 294px;" src="http://2.bp.blogspot.com/_cP3bz2ALCcU/Sguy6jwK-AI/AAAAAAAAA7Q/YWaBiDDH97k/s400/JH09Beckmann.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5335554902649927682" /></a><div><span class="Apple-style-span" style=" ;font-family:Times;"><div style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 3px; padding-bottom: 3px; padding-left: 3px; width: auto; font: normal normal normal 100%/normal Georgia, serif; text-align: left; "><div><div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><a href="http://artchive.com/artchive/B/beckmann.html">Max Beckmann</a>'s Germanic view of a Mediterranean landscape is a stage between acts. If we wait a moment longer, gazing toward the sea, will one of his society ladies stalk pensively into the frame from the right? </span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><br /></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">If she did she'd disrupt a composition so finely balanced, so cleverly assymetrical, it takes a second to register that the path we are peering down is exactly center. Is it a landscape for composition's sake? Or the uneasy paradise of a worldly skeptic? Those spiky palms, those gigantic buds in the foreground...do I dare sit in that chair and turn my back on those shadows?</span></span></div><div><br /></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">I often show my somewhat battered postcard of this picture in my drawing and painting classes. I probably got it on my last visit to the San Francisco Museum of Modern Art, but I didn't remember the painting being there. And so on my visit last weekend, when I came around the corner and there it was, I jumped and had to look elsewhere before I could compose myself enough to return to it. </span></span><div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">When I finally turned my full attention to the picture, how marvelous! Up close, the unworried brushstrokes; the sensuous yellow on yellow, canvas showing through, on the path through the trees; the black that simultaneously defines flat shapes and imparts dimension - all the rewards of seeing the real thing, live and in person - of feeling, come to think of it, like the woman about to walk into the picture.</span></span></div></div></div><div><div><br /></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:x-small;">Julia Hensley</span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:x-small;">iPhone photo</span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">------</span></span></div><div><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">Painting:</span></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); line-height: 14px; "><h1 style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-style: italic; line-height: 14px; font-family:verdana, sans-serif;"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: normal;">Max Beckmann</span></span></span></h1><h1 face="verdana, sans-serif" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-style: italic; line-height: 14px; "><a href="http://www.sfmoma.org/artwork/81"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><span class="Apple-style-span" style="font-weight: normal;">Landschaft, Cannes (Landscape, Cannes)</span></span></span></a></h1><div class="creationDate" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">1934</span></span></div><span class="displayMaterialsTech"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;">oil on canvas</span></span></span></span></div></div></div></div></div></span></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-61766046080299463032009-05-13T21:29:00.000-07:002009-05-13T21:40:29.840-07:00Rauschenberg<div><span class="Apple-style-span" style="font-size:small;">My SFMoMA journal, continued...</span></div><div><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_cP3bz2ALCcU/Sgue_nYghdI/AAAAAAAAA6o/2ISNzTCynJg/s1600-h/JH09Raushenburg-det1.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://4.bp.blogspot.com/_cP3bz2ALCcU/Sgue_nYghdI/AAAAAAAAA6o/2ISNzTCynJg/s400/JH09Raushenburg-det1.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5335532999291209170" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_cP3bz2ALCcU/Sgue5BnRIrI/AAAAAAAAA6g/iBUPxJvHL1g/s1600-h/JH09Rauscheburg-det3.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://3.bp.blogspot.com/_cP3bz2ALCcU/Sgue5BnRIrI/AAAAAAAAA6g/iBUPxJvHL1g/s400/JH09Rauscheburg-det3.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5335532886073352882" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_cP3bz2ALCcU/SguezvxbtiI/AAAAAAAAA6Y/sYrEuOGG7Ys/s1600-h/JH09Rauschenburg-det2.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://3.bp.blogspot.com/_cP3bz2ALCcU/SguezvxbtiI/AAAAAAAAA6Y/sYrEuOGG7Ys/s400/JH09Rauschenburg-det2.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5335532795384804898" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_cP3bz2ALCcU/SguetLd2XmI/AAAAAAAAA6Q/RLIqxUzSINY/s1600-h/JH09Rauschenburg.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/_cP3bz2ALCcU/SguetLd2XmI/AAAAAAAAA6Q/RLIqxUzSINY/s400/JH09Rauschenburg.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5335532682559774306" /></a><br /><br /><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><span class="Apple-style-span" style="font-size:x-small;">Julia Hensley<br />iPhone photos</span><br />--------<br />Painting:<br />Robert Rauschenberg<br /><span class="Apple-style-span" style="font-weight: bold;"><a href="http://www.sfmoma.org/artwork/262">Collection (formerly Untitled)</a></span><br />1954<br />Painting | oil, paper, fabric, wood, and metal on canvas</div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-36987715484541282822009-05-13T21:20:00.001-07:002009-05-13T21:27:51.380-07:00Diebenkorn<img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://2.bp.blogspot.com/_cP3bz2ALCcU/SgucLCi8G_I/AAAAAAAAA6A/0YQVA57ximI/s400/JH09Dibenkorn-blur.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5335529897026395122" /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_cP3bz2ALCcU/SgucQcwG1eI/AAAAAAAAA6I/ltrSVO490fY/s1600-h/JH09Diebenkorn-detail.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://1.bp.blogspot.com/_cP3bz2ALCcU/SgucQcwG1eI/AAAAAAAAA6I/ltrSVO490fY/s400/JH09Diebenkorn-detail.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5335529989960291810" /></a><span class="Apple-style-span" style="font-size:small;"><br /></span><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:10px;"><br /></span></div><div><span class="Apple-style-span" style="font-size:10px;"><br /></span></div><div><span class="Apple-style-span" style="font-size:10px;"><br /></span></div><div><span class="Apple-style-span" style="font-size:10px;"><br /></span></div><div><span class="Apple-style-span" style="font-size:10px;"><br /></span></div><div><span class="Apple-style-span" style="font-size: 48px;"><br /></span></div><div><span class="Apple-style-span" style="font-size: 48px;"><br /></span></div><div><span class="Apple-style-span" style="font-size: 48px;"><br /></span></div><div><span class="Apple-style-span" style="font-size: 48px;"><br /></span></div><div><span class="Apple-style-span" style="font-size:x-small;">Julia Hensley</span><div><span class="Apple-style-span" style="font-size:x-small;">iPhone photos</span></div><div><span class="Apple-style-span" style="font-size:x-small;">Diebenkorn DETAILS</span></div><div><span class="Apple-style-span" style="font-size:small;">------</span></div><div><span class="Apple-style-span" style="font-size:small;">Painting:</span></div><div><span class="Apple-style-span" style="font-size:small;">Richard Diebenkorn</span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); line-height: 14px; "><h1 style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-style: italic; line-height: 14px; "><a href="http://www.sfmoma.org/artwork/4420"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-size:small;">Berkeley #57</span></span></a></h1><div class="creationDate" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "><span class="Apple-style-span" style="font-size:small;">1955</span></div><span class="objectWorkType" style="text-transform: capitalize; "><span class="Apple-style-span" style="font-size:small;">Painting</span></span><span class="Apple-style-span" style="font-size:small;"> | </span><span class="displayMaterialsTech"><span class="Apple-style-span" style="font-size:small;">oil on canvas</span></span></span><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="font-size:small;"><br /></span><span class="Apple-style-span" style="color: rgb(0, 0, 238); text-decoration: underline;"><br /></span></div></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0tag:blogger.com,1999:blog-4762650915556247085.post-16382218588260442492009-05-13T20:56:00.000-07:002009-05-13T21:28:55.066-07:00Guston<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_cP3bz2ALCcU/SguY_a8hCjI/AAAAAAAAA5g/X_Z85lQprto/s1600-h/JH09Guston-blur.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://4.bp.blogspot.com/_cP3bz2ALCcU/SguY_a8hCjI/AAAAAAAAA5g/X_Z85lQprto/s400/JH09Guston-blur.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5335526398882810418" /></a><br /><div><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_cP3bz2ALCcU/SguXImQojfI/AAAAAAAAA5Q/Q7YS-8cBfZ4/s1600-h/JH09Guston-detail.JPG"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://4.bp.blogspot.com/_cP3bz2ALCcU/SguXImQojfI/AAAAAAAAA5Q/Q7YS-8cBfZ4/s400/JH09Guston-detail.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5335524357515546098" /></a><br /><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://3.bp.blogspot.com/_cP3bz2ALCcU/SguXNwcO_nI/AAAAAAAAA5Y/85qbB9iKZJ4/s400/JH09Guston-ForM.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5335524446147903090" /><br /><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><span class="Apple-style-span" style="font-size:x-small;">Julia Hensley</span></div><div><span class="Apple-style-span" style="font-size:x-small;">iPhone photos</span></div><div>--------</div><div><span class="Apple-style-span" style="font-size:small;">Painting:</span></div><div><span class="Apple-style-span" style="font-size:small;">Philip Guston</span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); font-style: italic; line-height: 14px; "><a href="http://www.sfmoma.org/artwork/140"><span class="Apple-style-span" style="font-size:small;">For M.</span></a></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); line-height: 14px; "><div class="creationDate" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "><span class="Apple-style-span" style="font-size:small;">1955</span></div></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); line-height: 14px; "><span class="displayMaterialsTech"><span class="Apple-style-span" style="font-size:small;">oil on canvas</span></span></span><span class="Apple-style-span" style="font-size:small;"><br /></span></div><div><span class="Apple-style-span" style="color: rgb(51, 51, 51); line-height: 14px; "><span class="Apple-style-span" style="font-size:small;">76 3/8 in. x 72 1/4 in.</span></span></div>Julia Hensleyhttp://www.blogger.com/profile/03903754419774050666noreply@blogger.com0